Phidias$525394$ - translation to Αγγλικά
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Phidias$525394$ - translation to Αγγλικά

GREEK SCULPTOR, PAINTER AND ARCHITECT (C.480–430 BC)
Pheidias; Pheidas; Phideas; Menon (Phidias)
  • The [[Varvakeion Athena]], a Roman-era statue of Athena Parthenos considered to be the most faithful reproduction of the chryselephantine statue made by Phidias and his assistants, as displayed in the [[National Archaeological Museum, Athens]]
  • The workshop of Phidias at Olympia (2005)

Phidias      
n. Phidias (rond 500-432 vChr) vroeger Atheense beeldhouwer die het werk op de Parthenon controleerde, Pheidias

Ορισμός

golden section
¦ noun the division of a line so that the whole is to the greater part as that part is to the smaller part (i.e. in a ratio of 1 to 1/2 (v5 + 1)), a proportion which is considered to be particularly pleasing to the eye.

Βικιπαίδεια

Phidias

Phidias or Pheidias (; Ancient Greek: Φειδίας, Pheidias; c. 480 – 430 BC) was a Greek sculptor, painter, and architect. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of the goddess Athena on the Athenian Acropolis, namely the Athena Parthenos inside the Parthenon, and the Athena Promachos, a colossal bronze which stood between it and the Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias and Ageladas.

Plutarch discusses Phidias' friendship with the Greek statesman Pericles, recording that enemies of Pericles tried to attack him through Phidias – who was accused of stealing gold intended for the Parthenon's statue of Athena, and of impiously portraying himself and Pericles on the shield of the statue. The historical value of this account, as well as the legend about accusations against the 'Periclean circle', is debatable, but Aristophanes mentions an incident with Phidias around that time.

Phidias is often credited as the main instigator of the Classical Greek sculptural design. Today, most critics and historians consider him one of the greatest of all ancient Greek sculptors.